This vintage mid-century rattan chair from the 1960s embodies the artisanal splendor of the region around the Dutch town of Noordwolde, where various manufacturers made their mark in the production of this type of furniture. with its fun shapes and organic braid patterns, the chair brings a touch of nostalgic charm to any room. Crafted with craftsmanship characteristic of the region, the rattan wickerwork reflects both durability and aesthetics. The chair breathes the spirit of the 60s, a time when comfort and design went hand in hand.
Country of origin: Netherlands

Height: 70 cm
Seat height: 37 cm
Width: 66 cm
Seat width: 48 cm
Depth: 65 cm
Seat depth: 41 cm

This vintage mid-century rattan chair from the 1960s embodies the artisanal splendor of the region around the Dutch town of Noordwolde, where various manufacturers made their mark in the production of this type of furniture. with its fun shapes and organic braid patterns, the chair brings a touch of nostalgic charm to any room. Crafted with craftsmanship characteristic of the region, the rattan wickerwork reflects both durability and aesthetics. The chair breathes the spirit of the 60s, a time when comfort and design went hand in hand. Styled with a nice fur or cushion, it is also a real atmosphere maker in your interior. The branded chair from Noordwolde is not only a piece of furniture, but also a tangible reminder of an era in which craftsmanship and design merged into timeless classics.
Country of origin: Netherlands
Manufacturer: Rohe Noordwolde (marked)

Height: 71 cm
Seat height: 40 cm
Width: 69 cm
Seat width: 50 cm
Depth: 67 cm
Seat depth: 48cm

Unparalleled Design Heritage

Frank Lloyd Wright, a name synonymous with architectural genius, extended his visionary design philosophy to these exquisite barrel chairs. Originally conceptualized in 1937, these chairs embody Wright’s commitment to organic architecture and seamless integration of form and function. Each chair is a testament to his innovative spirit and enduring influence on modern design.

Impeccable Craftsmanship by Cassina

Cassina, Italy, renowned for its masterful craftsmanship and dedication to producing high-quality furniture, has faithfully recreated Wright’s original design. These early edition chairs capture the essence of Wright’s vision, using the finest materials and traditional techniques to ensure authenticity and durability. The result is a perfect blend of historical significance and contemporary relevance.

Condition: Exceptional

Preserved with utmost care, these chairs are in great condition, reflecting their enduring quality and timeless appeal. The rich wood finish remains lustrous, and the upholstery is pristine, showcasing the chairs’ elegant curves and meticulous detailing. Owning these chairs means adding a piece of design history to your collection, maintained in a state worthy of a museum.

A Collector’s Dream

These four barrel chairs are not just pieces of furniture; they are art pieces, embodying a significant era in design history. Whether you are a collector, an interior designer, or a connoisseur of fine furniture, these chairs offer a unique opportunity to own a part of Frank Lloyd Wright’s legacy. Their presence will undoubtedly elevate any space, adding sophistication, historical depth, and unmatched style.

A timeless design informed by exceptional constructive complexity, the iconic Barrel chair was created in 1937 by Frank Lloyd Wright, based on an original design dating from 1904. This barrel-shaped armchair is composed of 37 parts, each fitting into the other with pinpoint precision. The base and the chair back are constructed from three pieces of solid wood, bent at a different angles. Each of the three pieces is then cut in two to counterbalance the tensions created during the steam-bending and the drying processes. The two parts are then placed back-to-back and glued together. The joints are all carved directly into the wood, all the details are hand-finished by Cassina’s carpenters.

Wright was born on June 8th, 1867 in Richland Center, Wisconsin, USA.Before his birth, his mother was determined that the child she was carrying would become the greatest architect of all time. A teacher herself, she discovered the Froebel system of education, known as the “kindergarten gifts”, according to which a child was taught to draw using basic geometric shapes and forms.His father was a preacher and musician and taught his son to listen to music as “an edifice of sound”. At the age of twenty he ran away from home and travelled to Chicago in pursuit of architecture, where he discovered the work of Adler and Sullivan, applied for a job, and worked directly under Louis Sullivan for nearly seven years. In 1893 he established his own practice. His work in and around Chicago from 1893 to 1909 heralded a new concept in architecture. The “Larkin Building” and “Unity Temple” saw innovations in design and engineering, made possible by the technology and materials of the twentieth century.By means of reinforced concrete, glass, steel, sheet metal and the cantilever (a support moved in from the edge), he developed an architecture in which the reality of the building was the space within. This evasive element – almost mystical by nature – of liberated interior space, is the pervading quality in everything he built. In 1932 Wright and his wife Olgivanna founded the Taliesin Fellowship, a school of architecture at their own home.Soon came the famous commissions for Fallingwater and the Johnson Wax Administration Building. As his work increased so did the power of his creative genius.There seemed to be no end to the variety of forms, ideas, shapes, spaces, concepts and innovations that poured forth from him. He left behind him a group of people dedicated to the conception of organic architecture: drawing upon the people of the Taliesin Fellowship, he established the Frank Lloyd Wright Foundation, which continue to preserve and safeguard the work, archives and principles of this great Master.

Barcelona armchair and it’s ottoman chromed metal and brown leather. The chrome is in perfect condition. Light wear on the leather visible in the photos. Dimension of the ottoman height 36 cm, width 61 cm and depth 56 cm, seat height 44 cm armchair. from 1970 edition. In good condition.

Beautiful chair available in our showroom. Carved, gilt-wood frame with needlework tapestry fabric. In good, vintage condition. Minor signs of usage, few marks of fabric, see pictures. Dimensions are 74 cm wide by 73 deep and 105 high.

Asko “Mademoiselle”, design: Ilmari Tapiovaara, 1956, Finland, early production. According to the previous owner, the chair was repainted with a professional 2-component paint by a car painter about 30 years ago.