Model 56 armchair by Niels O. Møller for J.L. Møllers Møbelfabrik
There are only minimal traces of time. Braid with little patina, has already been replaced.

We are delighted to sell this beautiful pair of Brittany chairs. They have really nice carvings all over and with the age they have it makes it such a stunning piece. They are made from French oak.  We have cleaned it from top to bottom, waxed and polished. Dimensions  Height – 100 cm  Depth – 43 cm

Vintage Mid Century Scandinavian armchair with a blue cotton cushion and wood. Lounge feeling 70s look. Upholstered in blue cotton, of high quality with a light wooden frame. However, there may be signs of wear on the frame and leather in the form of scratches, dents, faded paintwork, minimal defects in bleaching the shape or slight color changes. The seam of the upholstery has a flaw.

This set of four high-quality Danish dining chairs was designed by Erik Buch (sometimes also spelled ‘Buck’). The chairs were manufactured by O.D. Møbler – Oddense Maskinsnedkeri A/S during the 1960s. These chairs show beautiful details of quality craftsmanship. Each chair is in all original condition, comfortably upholstered with woolen fabric cover in a beige sand tone.

Italian ‘Retro’ dining set on curved walnut legs from the 2000s, designed by Maurizio Marconato & Terry Zappa for Porada. with some surface scratches and wear on the wooden and glass parts and stains on the textile upholstery. with a tiny chip on the glass top. Dimensions: Dining table: 205x73x100 cm /// Dining chair: 47x82x40 cm, Sh.: 50 cm.

Mid century vintage set of six 1970s teak dining chairs designed in the 1960s by V.B.Wilkins for G Plan as part of the Fresco range. Comprising of four side chairs and two carvers.
Frames in excellent original condition having been cleaned and polished. Seats have been professionally reupholstered in a blue/grey mix woven fabric. Sample can be supplied upon request.

Dimensions:

side chairs:
48cm width
53cm depth
90cm height

carvers:
57cm width
57cm depth
90cm height

seat height 44cm
seat depth 44cm

This beautiful pair of TON chairs from circa 1950s – 60s has been produced in former Czechoslovakia.

The chairs are in good original condition, with some visible signs of use and ageing (as shown on the photographs). The blue parts are moulded plastic and the rest is solid beech, which has been sanded and finished with several layers of wood oils. They are very stylish, comfortable and light.

The chairs have been attributed based on archival documentation, such as vintage catalog and designer records.

Set of 6 chairs from the 1960s.
Unknown manufacturer. German origin.

Dyed beech wood frame. Reupholstered seat covers
with light and dark purple color.
Overall good condition.

The Rennie Chair is one of the most notable creations of Japanese architect and designer Kazuhide Takahama. It was developed in the 1960s for the Italian manufacturer Simon Gavina. These chairs exemplify Takahama’s unique ability to blend Eastern and Western design sensibilities, resulting in pieces that are both visually striking and functionally elegant.
The Rennie chair stands out for its minimalist yet impactful design, distinguished by its use of glossy lacquer. The chair’s black lacquered frame provides a sleek, mirror-like finish, while the seat, upholstered in honey-yellow corduroy, offers a warm contrast to the black lacquer, adding texture and comfort to the chair’s otherwise stark design.
The underside of the seat reveals another detail: a canvas lining with the “Simon” pattern. This subtle touch underscores the chair’s authenticity and connects it to the prestigious heritage of Simon Gavina, a manufacturer renowned for its collaborations with some of the most influential designers of the 20th century.
The hairs reflect the era’s embrace of new materials and forms. Takahama’s work, including these chairs, played a crucial role in defining the modernist movement in furniture design, merging functionalism with new production techniques and high art.
Both chairs are in excellent original condition, with absolutely minimal signs of wear. Remarkably well-preserved for their age, they showcase the enduring quality of mid-century design.